Film · Television · Stage
Performances that cost something real.
Winner of the Northlight Award for Best Actress and an honoree of the Idyllwild Film Festival 2025, I play women at turning points — the night everything changes, the morning after, the second chance refused.
Twelve years across four features, ninety-two television episodes and eighteen theatre productions. Repertory training, screen discipline, and a reputation for first takes that survive the edit.
What’s included
- Screen roles — leads and sharp supporting turns in features and limited series.
- Stage seasons — classics and premieres, from studio rooms to thousand-seat houses.
- Voice & narration — documentaries, audiobooks and animation with a lived-in register.
- Self-tape in 48 hours — broadcast-quality tapes, two contrasting takes as standard.
- Dialects — RP, General American, Northern English and French-accented English.
- Publicity ready — festivals, junkets and Q&As handled with ease.
How a role gets built
The read
Script, sides and a long conversation about who she is when nobody is watching.
The room
Rehearsal as excavation — biography, body, voice, and the scene’s hidden argument.
The night
Performance as an offered secret: prepared to the bone, alive in the moment.
“Marlowe doesn’t perform a breakdown — she lets you overhear one. The camera simply has to keep up.”
Casting questions
How quickly can you turn around a self-tape?
Within 48 hours for most requests, with two contrasting takes and broadcast-quality sound and light.
Are you available for theatre seasons?
Yes — one stage production a year, booked twelve to eighteen months ahead around film commitments.
Do you work internationally?
Regularly. Valid passports, three working dialects, and a packed bag kept by the door.
Cast Marlowe
Scripts, sides and schedules through representation — replies within two working days.
